


At first I found this a little irritating, although I eventually got used to it (although I'm not sure I needed the supposedly humorous asides that were occasionally slotted in). I think this was because of the way the story is told, in the form of a first person narration by the two main characters, Carter and Sadie Kane, alternating every couple of chapters (supposedly they are recording their story for others to discover). First of, unlike the Percy Jackson series, this took me longer than usual to get into. Don't get me wrong, on balance I enjoyed it but it is flawed in several ways that disappointed me. So, did it meet my expectations? I wish the answer was a straightforward yes, but it isn't. I have therefore been looking forward to reading Rick Riordan's The Red Pyramid ever since I first heard about it back in October of last year. I have been lucky enough to spend a few weeks travelling in Egypt, and last year took my very excited godson, who also shares this interest, to the Tutankhamun exhibition when it came to London. As I grew up I developed an interest in the mythologies of other cultures, and especially in those of the Ancient Egyptians. I have harboured this interest ever since and loved Rick Riordan's Percy Jackson series, both for the clever way in which he brought those classic myths into the 21st Century and also for the way in which, through the Percy books, he ignited an interest in these myths for a new generation of kids.

Īs a child I had quite a collection of Ladybird Books, as did many other kids who grew up during the 70s, and my favourites were the two Famous Legends books which included the stories of Theseus and Perseus. Now orphaned, Carter and Sadie must embark on a dangerous quest – from Cairo to Paris to the American Southwest, to save their father and stop Set from destroying everything they care about. Kane to oblivion and forces the children to flee for their lives. An explosion unleashes an ancient evil – the Egyptian god Set who banishes Dr. The siblings barely know each other, but one night, their father brings them together at the British Museum, promising a ‘research experiment’ that will set things right for their family. Julius Kane, a brilliant Egyptologist, and their mother, a famed archaeologist who died under mysterious circumstances when they were young. Carter and Sadie have nothing in common but their parents: their father Dr.
